Bar review: Bigfoot, Oxford

This might be the first time I’ve been able to say this in over 30 years of working for a living, but my boss – he doesn’t read this blog, so I can get away with admitting this – is one of my favourite people. He’s a few years older than me, but I suspect he’s hired in his image and our politics, our cultural references, our general outlook on life and our regular Guardian reading match up nicely. I couldn’t help but think of him the evening I stopped by Bigfoot, a little spot on Oxford’s Cowley Road specialising in cocktails and tacos.

The thing is, my boss – like me – is a big music fan, always on the hunt for new bands to listen to. Unlike most people I know, his taste in music didn’t stop in an arbitrary year, preserved in aspic, leaving him just listening to old favourites. His Spotify Unwrapped is interesting every December, and we often swap recommendations: without him I wouldn’t have discovered the loping lo-fi jangle of Talking Kind, or the weird and wonderful 70s Algerian funk (I’m not making this up) of Ahmed Malek.

Unlike me, my boss is still a regular gig-goer, especially in Oxford where he watches all sorts of bands in all kinds of ramshackle venues. He took his wife to see a band called Shit Present last year on her actual birthday, without a shred of irony, and she joined him without complaint. That’s quite some marriage, I imagine.

My boss reports a consistent phenomenon at those gigs. The band is invariably young, lean and hungry, in the foothills of its twenties and having the time of its life. And the audience? “They’re all 6 Music dads like me” he says, ruefully. It happens when he goes to see Bar Italia, or Stick In The Wheel, or some band I’ve never heard of playing music you could describe without irony as a soundscape. His ears like a challenge.

When I stopped in Bigfoot, I got an inkling of how he must feel. Because everybody in there was young, from the head honcho behind the bar with his beard/beanie/fisherman’s jumper combo to the friends catching up at the table in the window, to the chaps behind me who were mansplaining to one another about “the societal pressures on women” without any women at their table, as if they had a fucking clue. Outside, in the January cold, a table of four young women directed subtle evils towards me, the mouldy old fiftysomething nabbing one of the only spots inside all to myself.

Bigfoot opened in December 2023 and has consistently offered cocktails in general, and margaritas in particular, ever since, along with tacos. It has slightly bowed to market forces since, adding beer and wine to its menu, but otherwise has continued to plough this admirable, idiosyncratic furrow. I was in Oxford with some free time for a solo meal so I thought, Why not? I forewent a table for one at somewhere more obvious and slipped into the no reservation spot early doors to snag a table.

It helps that I love that part of Oxford so much. I occasionally read some rabid panic on Facebook from someone still complaining about 15 minute cities, and I think the main problem is their lack of imagination. Because on the Cowley Road, if you stand outside Bigfoot, you are within a 15 minute walk of the Magdalen Arms or the Chester Arms. Arbequina and Spiced Roots are mere minutes away. You can buy Oxford’s best coffee at The Missing Bean, or drink in Peloton Espresso, my favourite Oxford café. What’s to dislike?

Not only that, but just across the road is the Ultimate Picture Palace, the arthouse cinema where I saw stuff like Le Samourai, Betty Blue and Paris, Texas, over thirty years ago. You can browse music in Truck Records nearby, which also happens to do good coffee.

And a very short walk from Bigfoot there’s also the Star Inn on Rectory Road, where Oxford’s best beer garden is hibernating, waiting for spring, and DEYA’s Steady Rolling Man is always on tap. I had very much enjoyed Peloton and the Star before ambling into Bigfoot, as it happens, and I was hoping that Bigfoot would complete a beautiful OX4 trifecta.

I loved the interior, all scruffy and ineffably cool, spider lights and baskets of limes hanging from the ceiling, art on the walls. A couple of cramped tables in the window had bentwood stools, and along one side of the room were what looked like bespoke benches with narrow tile partitions between them serving as tables, just deep enough to accommodate a glass or a plate of tacos.

Their curves matched the undulations of the bar, and the whole thing had a feeling of otherness that I loved. I felt like I could be in Bairro Alto, the Realejo or the 11th arrondisement, somewhere far cooler than me or, in all honesty, most of prosperous Oxford. That’s the great thing about the Cowley Road, it’s the metaphorical two fingers up that says the rest of this city might be like a supersized version of Henley on Thames but not us, buster.

The red on white menu by the bar screamed simplicity: four tacos, two of them vegetarian, all of them £2.80 a pop. They also do chips and dip, and burritos on Saturday but that’s your lot. Similarly, there were five margaritas, a couple of bottled boozy seltzers and a slightly confusing menu of what seemed to be beer and chaser combos. The beer choice was limited but considered: Modelo, the Mexican classic; the iconic American Pabst Blue Ribbon; and – this was an inspired choice – Mash Gang’s Chug IPA, one of the best AF beers made in the U.K. To complete a general feeling of bounty, the evening I was there three of the margaritas on offer were a fiver each.

I’m not a margarita aficionado but when in Rome and all that, so I gladly left my comfort zone and ordered Bigfoot’s classic, the textbook combination of tequila, agave, lime and salt. It came on the rocks – crisp, bracing and tasting every bit as boozy as I suspect it was. I don’t know which brand of tequila Bigfoot uses – I saw El Tequileño behind the bar, there might have been others – but this was the sort of cocktail I could easily see becoming habitual. Each sip, sharpened with a jag from that salted rim, was a delight.

Next time I’d be tempted to try a mezcal margarita; a look behind the bar revealed an impressive array, from multiple variants of Ojo de Tigre to La Higuera. The folks at Bigfoot are serious about being good at the narrow range of things they do.

The tacos didn’t so much subvert expectations as invert them. I expected my favourite to be the chicken thigh, but it was the most underpowered of the lot, the chipotle a little quiet, the mayo on them equally muted. White onion, too, felt like it was there to make up the numbers. But that’s not the same as saying it was bad, and if it hadn’t been outperformed by everything else on the menu maybe I would have been perfectly happy with it.

Far better were the carnitas tacos, with so much more going on: pork shoulder braised to a tangle, along with pickled red onion which provided the contrast missing from the chicken. The finishing touch – only knobbers call it a hero ingredient – was the pineapple, which made everything pop; you can argue about whether it belongs on a pizza if you want, not without justification, but it does belong in a taco. These were the wettest and messiest of the tacos, however carefully you fold them up and however precise your bite: more napkins might have been helpful.

The one I expected to like least and liked the best was the curveball, the oyster mushroom taco. Miso glazing gave it a very pleasing savoury depth and a meatiness that stopped me missing birria, or ropa vieja, or beef in any other guise; Bigfoot’s Instagram suggests they have been offering birria tacos as a special, but they weren’t on the night I visited. Of all the tacos I tried these were my favourites, with a zigzag of relatively subtle jalapeño crema and spring onion in a pick-up-sticks formation.

The tortillas were thick and soft, up to the task of holding everything in and piled high enough to introduce, nonetheless, an element of jeopardy. I don’t know if Bigfoot makes them, but a bowl of tortilla chips with salsa at a neighbouring table looked bought in: I decided not to give them a try.

I was having so much fun that I didn’t want to leave. The air was humming with the kind of great music that makes you reach for Shazam – or would do, if this part of Oxford wasn’t a mobile reception blackspot that somehow catapults you back to 1996. Outside the table of young women was playing cards, and I made a mental note to add card games to the list of things that became hip far too late for me, despite all my many hours playing cribbage on holiday after holiday in my thirties. One of the women peered balefully through the window at me. When is grandpa fucking off? the gaze seemed to say.

By this point, all the tables inside were occupied and the outside tables, too, were filling up. Where were these places when I was in my twenties, I wondered? When I was the right age to drink in these kinds of places either they didn’t exist or they did and I didn’t drink in them, most likely because I didn’t know about them.

The only place I could think of in Reading terms that had a feel anything like this was Bar Iguana, in the early Noughties. I remember going there once, nearly twenty-five years ago, and the bar staff were too busy kicking around a hacky sack to serve me. Even then I was too old for that bar, but I didn’t know it at the time.

Bigfoot was far more inclusive to the advanced in years, and the barman told me about a drink I’d eyed up heading to another table: the watermelon margarita, also on the specials menu. So naturally I had one and it was possibly more perilous than the classic margarita because it carried its alcohol content far less ostentatiously.

A chap at one of the other tables, trying to impress his date, asked the barman if it had cinnamon and star anise in it, and was very pleased with himself when it turned out that it did. I didn’t get any of that, but it was sweet and incapable of giving offence and probably dangerously boozy. The watermelon came through to the exclusion of anything else, but I quite liked that. At the end of the meal, I did dainty little watermelon burps all the way down the Cowley Road.

And I had more tacos, of course. I could claim this was to flesh out my research, but in truth it was because I liked them and to test the only one on the menu I hadn’t eaten. Nopales tacos came with cooked prickly pear cactus, refried beans, cheese and salsa roja and oddly, in some ways, they felt the most traditional ones I tried. The presence of cheese was welcome, and it turned out that cactus – or this cactus, anyway – had a texture a little like soft green peppers. I was glad I could say I’d tried it, but it didn’t outperform anything else on my little plate.

All that – seven tacos and two £5 margaritas – came to just under £34 including tip. I thanked the chap with the beard and the beanie effusively: far too effusively, probably, because I will never be cool. I expect he was grateful for my custom in the way the members of Bar Italia are grateful that my boss turns up to their Oxford gigs.

It felt like that embarrassing bit in In Bed With Madonna where Kevin Costner tells Madonna backstage on her Blonde Ambition tour that he thought her show was ‘neat’ and, after he leaves, she pretends to stick her fingers down her throat. At least I didn’t say Bigfoot was neat, or at least I don’t remember using those words.

Bigfoot doesn’t do dessert, but you have ice cream café George & Delila a few doors down – see what I mean about 15 minute cities – or you can, as I did, cross Magdalen Bridge, waft down The High and end up in Swoon Gelato. I sat at the front, in the window, with a salted caramel gelato feeling, as you do when you hit the OX1 postcode, a little less old and unhip. I didn’t mind all that anyway, but if I had the gelato would have made it all better.

I’m conscious that this review might be even more niche than usual for my Reading based readers. If you go to Oxford, you probably want a proper meal as part of a trip to the city, and stopping at a small, scuzzy bar that happens to do tacos may not really suit your purposes, unless you’re off to a gig nearby at the O2 Academy. They do lunch, I suppose, but only on Saturdays. So this one might have more appeal to locals, or that small section of my readership that lives in Oxford (or the Oxford subreddit, which is always so kind about my work).

But I thought all that and then thought sod it and decided to write it anyway. Because I keep coming back to what I said earlier on – if this bar was in Paris, or Lisbon, or Granada, and I’d visited it on a trip to one of those cities it would appear in the city guide I subsequently wrote. I would say that the place is charming and likeable, the tacos are very good and that it’s a fun place to hang out for a few drinks even if you then go on somewhere else.

I really loved it: admittedly, that was after two margaritas, and it’s possible that after three I’d have loved everyone and everything. Even so, I heartily recommend Bigfoot, if you’re anywhere near that area and in anything like the mood for what it does, especially if you combine it with Peloton and the Star, the other elements of that holy trinity. Getting old is no fun but, as friends always tell me, it beats the alternative. Finding spots like Bigfoot, however – even if it makes me feel a 6 Music dad at a happening gig – never, ever gets old.

Bigfoot – 8.1
98 Cowley Road, Oxford, OX4 1JE

https://bigfootoxford.com

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Restaurant review: Me Kong

When I ran through the trends in Reading’s food scene last year, two stood out: the proliferation of new, casual pizza restaurants and a similar blossoming of restaurants to cater to Reading’s Hongkonger community. Last week I explored the former at Smelly Alley’s Zi Tore so it only seemed fair, this week, to dive into the latter at Me Kong, the newest of these restaurants to open.

I identified some of these spots opening in 2025 – Woodley Food Stasian out in Woodley, Take Your Time where Dolce Vita used to be and the subject of this week’s review, which is tucked away behind Reading Library just down from The Blade next to the retro classic that is the Abbey Baptist Church. It’s a spot which somehow didn’t feel like it existed before Me Kong sprang up there: I can’t remember what, if anything, was there before.

But even that undersells the increase in restaurants catering to this market. After all Good Old Days Hong Kong, which I reviewed around this time last year, has been around since late 2023. Worse still, I missed out a couple of developments last year – YL Restaurant for one, which opened in the back of the supermarket that used to be the Warwick Arms a long time ago. And then there’s Soul Chill, a cafe that opened right opposite where I used to live on the corner of London Street and South Street. Its Google listing initially made it look like a bubble tea spot, but it boasts breakfast and lunch options.

All this, of course, springs from the introduction in January 2021 of the BNO Visa for Hongkongers, giving them the right to settle in the U.K. with a path to citizenship. Reading – always a multicultural, well-educated, polyglot place – has as a result both developed and embraced a significant Hongkonger community. With that come all the advantages of vibrancy, including – selfishly, for me – new and interesting places to eat.

Me Kong is a particular type of establishment, a cha chaan teng. These are “tea restaurants” that originated in Hong Kong in the Fifties, following on from the bing sutt, or ice room. Cha chaan tengs are often likened in print to the British greasy spoon or the American diner, but I think that’s more to try and find a term of cultural reference readers might understand. In reality they are a creature all their own, and a very eclectic one at that.

Food at a cha chaan teng is often described almost as a fusion of Chinese and European – another term often used is ‘soy sauce western’ – with dishes including Chinese ones with which you’d be familiar and more esoteric options like baked pork chop with ketchup, or macaroni soup topped with char siu. In Hong Kong cha chaan tengs are a great gastronomic leveller – swift, efficient and frequented by blue and white collar workers alike.

Plenty of my research suggested that cha chaan tengs are on the wane in Hong Kong, as for that matter greasy spoons are here, but it’s somehow fitting that a wave of them is opening in the U.K. Because I’ve read that when they first sprung up in Hong Kong in the Fifties it was because Hong Kong, run by the British, welcomed Chinese refugees. There are echoes of that, I suppose, in the situation now, seventy years later.

A taste of home, or nostalgia, makes perfect sense if you settle somewhere so far away from your roots, and last month I saw a few photos of customers queuing round the block to try Me Kong for the first time. But did this food also have the potential to win over a wider customer base?

Someone thought so ten years ago, when a restaurant literally called Cha Chaan Teng opened in Holborn, but the reviews were not good. Marina O’Loughlin, then writing in the Guardian, said the food gave her “the kind of clammy shame I’d feel if I woke up post-bender to find myself the fifth Mrs Gregg Wallace”, adding that “cha chaan tengs aren’t renowned for their cuisine”: what’s the opposite of a white saviour?

There is a difference, though. That restaurant was geared at customers of European descent, while Me Kong promises to be the real thing. So on a Tuesday lunchtime I pootled over with my great friend Jerry, who was especially interested in Me Kong because it’s probably the closest restaurant to his gorgeous, incredibly tasteful flat. Forget whether I liked it or not: I also wanted to see if Jerry could find a brilliant new local.

We got there around twenty past twelve and the place was already packed with a queue for tables, albeit one that hadn’t moved out onto the street. I will say though that although we as a nation like to think we’ve invented queuing, Me Kong has perfected it – quickly assessing each table size needed and gradually corralling us into different spots in the waiting area.

At the front there were counters showing off all of Me Kong’s baked goods – buns, pastries and the like – and so some of the people joining the queue were simply buying that stuff to take away. Nothing fazed Me Kong’s front of house, and after no more than five minutes we were ushered to a table.

Me Kong’s interior is really rather impressive, I think. On one level it’s a front room with booths, a back room with tables and a corridor connecting them. But that doesn’t even begin to do it justice, on many levels. They’ve gone all the way through the building, so the front looks out on Abbey Square and the back onto the Holybrook, and that results in a really lovely space where everything feels airy and beautifully lit.

Not only that, but it felt polished and finished in a way new establishments so often don’t: the colour of the wood panelled counter; the tasteful banquettes; the bright line drawings on the wall, everything seemed really considered. And the branding, from the menus to the cups to the napkin dispensers, was extremely well thought out. I got the impression this wasn’t their first rodeo: I’d be surprised if it was their first restaurant, for that matter. It felt fully formed.

I should also mention that Jerry and I were, at the point when we sat down, the only customers of European descent in the place. But I never felt conspicuous, because the staff were just so terrific from start to finish. One server explained to us that they really wanted to promote this kind of food, and I got that impression throughout the meal.

In fact, I’m jumping the gun by saying this but I’ve never been to a restaurant where the staff were quite so keen to tell you what the gorgeous-looking dish that had turned up at another table was (“that’s the braised eggplant with garlic sauce” one of them told me, as I admired a delectable-looking pot on my left).

Me Kong’s menu, on a ring-bound set of cards with that impressive branding, was a proper box of delights with an awful lot going on. One section featured noodles, either dry or in soup, along with five set meals, another common feature in a cha chaan teng. These gave you the option of some Hong Kong classics – ham macaroni soup, say, or char siu macaroni soup – paired with a bun and either fried egg or omelette.

A large section of rice dishes again led with a staple of the cha chaan teng, baked pork chop with cheese and tomato sauce on rice. Many of these dishes were more on the fusion side, so were perhaps more for purists. Another page of the menu featured four clay pot dishes and five stir fries, and another page of snacks offered dishes like deep fried chicken leg with curly fries – again, an authentic cha chaan teng choice – along with a full range of options from the bakery.

I would say that with the exception of that aubergine dish, which looked like it might have had minced pork in it, there wasn’t much for vegetarians here. The page marked Vegetables featured various green veg with garlic or oyster sauce, but would feel limited if that was your lot. There was, however, plenty here for the cost-conscious. The most expensive dish on the menu was south of £15, those set meals were less than a tenner.

Plenty of decisions for Jerry and I to make – but first, tea. Me Kong does sell alcohol (Sapporo on draft, or Guinness) but I really wanted to try the Hong Kong milk tea, another speciality of this kind of restaurant. It’s hard to describe but imagine a very strong cup of PG Tips, souped-up builder’s tea, served with condensed milk, a very pleasing shade of deep amber, and you wouldn’t be far off. I put a sugar in it, but on reflection wished I’d added more.

I don’t normally put a picture of a cup up on the blog, especially one where you can see so little, but: see what I mean about the branding?

I’d read online that Hong Kong milk tea is strained through a sock, or something like it (hopefully one exclusively used for this purpose), often multiple times, to achieve a particular level of smoothness. I can’t say whether a hosiery department was involved, but it did have a certain pleasing consistency. Maybe it was the note of Carnation, or the power of imagination, but whatever it was I enjoyed it.

Jerry originally wanted to try a yuen yueng, a blend of coffee and tea also particular to cha chaan tengs, but they didn’t have any Hong Kong coffee so he joined me in a tea. He liked it, but less than me: when we had a follow up drink I opted for more of the same, and he had an iced lemon tea – specifically requested as slightly less sweet on the excellent advice of the table next to me.

Before I talk about the food, I did want to say something about that. I’ve already said that the staff were really keen to explain other dishes and illuminate us on the cuisine of Hong Kong. But I’ve never eaten in a restaurant where that evangelism so extended to the other customers, too. During our meal the tables on either side of us were occupied by multiple parties – restaurants like this tend to be brisk – and so we got to rubberneck all manner of delights. Not only that, but the people ordering them were more than happy to tell us what they were.

All that meant that although we played it relatively safe with our order we saw more than enough to work out what to have next time. That macaroni soup topped with satay beef looked like an interesting, comforting order, but I was even more intrigued by a dome of rice crowned with an omelette draped over it, the whole thing then decorated with vertical strips of char siu. The traditional pork chop baked with cheese came in an earthenware dish, the kind you might associate with a lasagne, and I got a sufficiently good look to decide I’d leave that one to the experts.

Nicest of all were the lovely pair of civil engineers on my left. They worked in Thames Tower and had found out about the place and one, whose family were from Hong Kong, had decided to bring her colleague along to see if it recaptured the food of her memories.

She ordered a clay pot dish that I considered but been put off ordering because of the mystery meat component of “Chinese sausage”, and she even kindly let me sample a bit. It was delicious, with a sort of air dried texture like salami and a complex, fragrant flavour. I made a note not to let it deter me next time.

So yes, I chose the conventional option, the black bean chicken pot. But I am so happy that I did, because it was simply outstanding. A hefty pot full to bursting with boneless chicken thigh, skin on, cooked absolutely bang on so it was firm but had just enough give, no evidence of the velveting that can sometimes make chicken off-putting. Huge bits of spring onion, caramelised until heavenly, coexisted with all that chicken and extra goodies: little cubes of potent ginger and plenty of equally burnished nubbins of garlic.

But all that would be nothing without the sauce, a black bean sauce of ridiculous savoury depth, a glossy number with notes of Marmite which clung to everything: to the pot, to every crevice of chicken, to each layer of onion, each piece of ginger and garlic, every grain of steamed rice. This was deliciously viscous stuff, and I made it a mission to ensure that I left as little of it gleaming at the bottom of that black pot as I possibly could.

There is a part of me that is very tempted, just after noon on Friday when this review goes up, to find myself in that place again eating exactly this dish: it was that good.

Jerry had chosen every bit as well as me, going for the Singapore vermicelli with char siu and prawn. This was a magnificent one-stop shop, a very generous tangle of rice noodles tumbled through with chilli, prawns, strips of pork, beansprouts and fried egg. The menu described it as spicy, our server said it wasn’t so hot. Having tried a few forkfuls, I’d probably split the difference and say it was nicely challenging.

What saved it from chilli overload was a certain nuttiness, although I’m not sure where it came from. Perhaps it was the curry powder, an essential component of this dish which gives it its ochre hue. Professor Wikipedia advises me, pleasingly, that Singapore noodles have nothing to do with Singapore but are also a post-war Hong Kong creation.

The thing that made me happiest about these noodles was how much Jerry loved them. He told me he could happily see himself coming here of an evening, ordering these and sitting there taking it all in: he added that previously his go to had been the pad thai at Rosa’s Thai but that this was easily a rival for it. Getting people to eat at Me Kong instead of Rosa’s Thai is, I suppose, as good a mission statement for this blog as any: I’m glad it had that effect on my friend if nothing else.

But I can also see exactly what he meant about it being a space where you’d want to spend time. It was so busy, so beautifully efficient and well run, and so popular – with friends, with couples, with families. Small children were everywhere, but for a moment you could forget you were in the U.K. because they were, without exception, impeccably behaved.

The word that jumps out at me – that restaurants don’t always aim for and in any case don’t hit often enough – is fun. Everything about Me Kong was a riot, from its cheerful, charming staff to its delighted, curious kind customers. How could anybody experience that and not want to be part of it again?

Determined to cover as much of the menu as possible we stayed for some sweet treats and this was when, maybe, Me Kong’s sure touch faltered ever so slightly. I wanted to try the real staples here, so we started with a pineapple bun: no pineapple is involved, but it got the name because the sugar crust on top can, apparently, vaguely resemble a pineapple. I rather liked this – it reminded me of an iced bun, but with a crust rather than icing on top. Worth trying so you can say you’ve tried it, absolutely, but I don’t know when I’d feel a hankering for one again.

I really expected to love the French toast, another Hong Kong signature, but it didn’t quite hit the spot. Two slices of white bread, joined together with a thin mortar of punchy peanut butter, came fried and brought to the table with a little pack of Anchor butter to melt on top. Jerry said that those cultural references – Anchor butter, builder’s tea – added to that feeling of nostalgia, and I could see where he was coming from.

But for me this was just a little too stodgy, a little too light on the fun considering how many calories were involved. Ironically it needed to be more indulgent: the very nice civil engineer at the next table told me that often this was served with maple syrup, which would have utterly transformed it, but the server told me that they didn’t do tweaks or customisation for anybody, which I respected.

We didn’t finish it, because as an experience it was just a tad too grubby: I didn’t feel, as Marina O’Loughlin did, shame equivalent to waking up married to Gregg Wallace, but perhaps something comparable, like having a mucky dream about Nadine Dorries.

The last of our trio of desserts was a similar experience: I’d asked for an egg tart and been told that we’d have to wait twenty minutes for a fresh batch to come out of the oven. So we did, and when it came it was still warm and the pastry, buttery and short, was truly exemplary.

And yet I wanted to like the filling so much more than I did. I don’t know whether I was expecting the appealing wobble of a pastel de nata, or the nutmeg-dusted propriety of its English relative, but this was more egg white than egg yolk, somewhat lacking in richness and far more like blancmange that had found itself a very nice house. Again I wouldn’t order it again but I’m glad I tried it and for £1.70, only 10p less expensive than the pineapple bun, it was not an expensive mistake.

Our bill for everything came to just over £54, and there were two remarkable things about it. One is that if you order food they knock a very specific 51p off the price of each of your drinks, so they each cost £2.99. The second is that the service charge they add is only 8%: I questioned this with our server saying it wasn’t enough, and he laughed. “Next time you can tip a hundred pounds!” he said.

He also told me – and this might be useful to you, though it wasn’t to me – that if you spend over £40 they have a deal where you can get free parking at the Queens Road Car Park.

I hope the tip is so low because the staff there don’t need to rely on it to be fairly paid, because they very much deserve that. All of them were just terrific, and I know this has a strong whiff of and everyone stood up and clapped, but it’s true: practically every one of them said thank you to Jerry and I as we walked through the restaurant on our way out. I sent the pictures of our food to Zoë later as I was relaxing at Jerry’s with a cup of tea and a medicinal glass of red, and got exactly the reply I was expecting: perhaps you’ll take me some time soon.

This is precisely the kind of review, and the sort of restaurant, I wanted to kick off the year with. Me Kong is an absolute blast, brilliantly run and happens to do some excellent food, and I scoped out enough options on my first visit to give me plenty of food for thought on my second, third and fourth – if I can tear myself away from that chicken in black bean sauce, that is. It is already incredibly busy in a way most Reading restaurants in January would kill for, but I can see that continuing even after the novelty value has died off.

But what I also loved about it was how inclusive it was, how keen it was to tell its story far and wide. That spirit deserves to be returned in kind by Reading’s restaurant-goers. And it also made me a little proud of Reading: that our diverse, happy, tolerant town can still attract people like that and businesses like this, despite all the naysayers and bigots in the comments section of the Reading Chronicle.

I think if you read this blog you’re not like those people, and I think you’d find an awful lot to like at Me Kong. I wouldn’t be at all surprised if, in the months ahead, I see some of you there. I certainly won’t be in Rosa’s Thai, that’s for sure.

Me Kong – 8.4
St Laurence House, Abbey Square, Reading, RG1 3AG
0118 3431543

https://www.facebook.com/MeKongReadingUK/

Since January 2025, Edible Reading is partly supported by subscribers – click here if you want to read more about that, or click below to subscribe. By doing so you enable me to carry on doing what I do, and you also get access to subscriber only content. Whether you’re a subscriber or not, thanks for reading.

Restaurant review: Oishi

As followers on social media may already know, this will be my last conventional restaurant review for a short while. Last month I broke my arm in a nasty accident, and after a short stay in the Royal Berks, a brace, plenty of x-rays and an operation at the end of November I have been recovering at home.

As I’m currently housebound, with only one working arm, restaurant reviews will have to wait, hopefully not too long. Thank you to everybody for the well wishes I’ve received since the incident: I’m very lucky to have such kind and supportive readers.

I will publish content on the blog in the meantime, my physical condition and the limitations of Apple dictation willing, so stay tuned for that. I will try to spare you a piece on “meals you can eat at home with one hand”, (although I get the impression that genre’s less niche than you might think). For now, I hope you enjoy this review, which is of the last restaurant I visited before the accident: I’m very glad that it was at least a gorgeous meal.

For my money, the saddest words you can find when you Google a restaurant are these: temporarily closed.

They should mean one thing, but they so frequently mean another. You should be able to take them at face value, deduce that the proprietors are taking a well-earned rest, or enjoying their summer holidays. But frequently they mean quite the opposite: the restaurant has closed for good, but it hasn’t been officially confirmed yet. Those two words are like light reaching you from a dead star, a misleading proof of life.

In Reading I’ve seen this happen many times. O Português was marked as temporarily closed for several months, a Facebook post by the restaurant saying something like “be back soon” before it eventually shut for good. The same went for Buon Appetito: people turned up for reservations, only to find the place locked and bolted, no sign up and nothing on social media. The only two-word commentary anywhere? Temporarily closed.

It’s frustrating that so many restaurants fail to announce their own departure. I appreciate that it must be desperately sad when a business fails, that people are out of jobs and in some cases, an independent restaurateur’s dreams have withered and died. Perhaps telling customers, or prospective customers, is the least of their worries. But it’s a shame for customers too, especially if you’ve grown fond of a place: their closure, done that way, denies you closure.

Going temp to perm on your Google listing is the equivalent of leaving a job under a cloud. Far better to close the way the Grumpy Goat did, with one last Saturday to drink the place dry, or as Dough Bros did with its recent announcement, telling punters they had until just before Christmas to get their pizza fix.

It’s especially agonising when it’s somewhere you love. My stepmother’s favourite place to eat is a pub called the Bailiwick, on the edge of Windsor Great Park. It was stricken with the curse of temporary closure last month, with nothing on social media. Worse still, they were listed as permanently closed on OpenTable. When they subsequently posted that they would reopen, with more limited hours, having been “given a second chance” my stepmother was elated. Temporary closure, after all, is so rarely that.

It does happen sometimes in Reading, to be fair. Biryani Mama on St Mary’s Butts looked very shut, claimed they were closed for renovations (an excuse I’ve heard before from restaurants that never reopen) but, true to their word, they’re now trading again. But I have never, in all my days reviewing restaurants, seen a restaurant come back from the dead the way Oishi did.

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Café review: Mac’s Deli

What were you doing when you were 21? If you’re a regular reader of this blog I imagine that, like me, you’ll have to cast your mind back to answer that question. In this sense I envy the generations after me, everything digitised, lives captured in hundreds of smartphone photos, people who can probably tell you exactly what they were doing on nearly every day of their twenty-second year.

Personally I was in my last year at university, frantically cramming for final exams I would dream about for years afterwards, navigating fraught relationships and sticking my head firmly in the sand about What Came Next and What I Would Do With My Life (thirty years of that now and counting, thank you very much).

My life was about to lose what little comfort and structure it had and, for me at least, most of the rest of that decade made up my wilderness years. I’m not sure I’d go back to being 21 if you paid me, despite all the people my age who will say “if only I knew then what I know now”. All they really mean is that they regret not getting laid more often, but we nearly all regret that.

I’ll tell you what I wasn’t doing when I was 21: I wasn’t starting my very first hospitality business, taking a massive gamble in a post-pandemic climate where the cards are stacked against restaurants, cafés and bars. But, nearly 30 years after I turned 21, that’s exactly what a chap called Mac Dsouza did.

That business was Filter Coffee House, on Castle Street, and it’s fair to say that it was an immediate success. I stopped by a couple of weeks after it opened, sampled its banana bun and was instantly smitten. So much so that about a week later, when I wrote a piece about Reading’s 50 best dishes to make 10 years of the blog, I managed to sneak that banana bun in there. I might have been relatively early on the bandwagon, but people were already talking about Dsouza’s café. By the time I reviewed it early in the New Year, its place in Reading’s affections was secured.

Dsouza, though, was not the sort to rest on his laurels. So even as the café kept trading, evolving, taking away its seating and moving to takeaway only he was working like a Trojan elsewhere. So he cropped up at Caversham’s Sunday markets to sell more coffee and treats, converting the RG4 crowd to his astonishing masala hot chocolate.

By then Filter Coffee House’s menu had expanded to include a range of affordable sandwiches, although I was more drawn to the specials they did at weekends. However you looked at it, what Dsouza achieved in a couple of years was quite something.

And what were you doing when you were 23, do you remember? I was back at my family home in a suburban terraced house in Woodley, temping in the cashier’s department of the insurance company where my brother worked. It was boring, and this was an office before smartphones, email and the internet so it’s hard to adequately convey quite how boring it was. But Labour had just put an end to eighteen years of Tory rule, and the joy was so extreme that it was almost tangible.

Despite earning fuck all, I always seemed to have enough money, possibly because my main aim at that point was to get drunk at the Bull & Chequers – midweek or weekends, back then nothing ever resulted in a hangover – and go clubbing. I was still impersonating an ostrich with reckless abandon, while my contemporaries became management consultants, solicitors and barristers. I was writing cheques for other people, putting files in alphabetical order and pretending to care what had happened in EastEnders when talking to Maureen or Eileen; everybody in my department was in their sixties, about to retire on the cusp of the information age.

When Mac Dsouza was 23 he opened his second business, Mac’s Deli. It’s not a deli at all, but a café squirrelled away on an industrial estate about a twenty minute walk from Theale station. It opened just over two months ago, and seemed to be a continuation of what he was offering at Filter Coffee House: coffee and a variety of sandwiches, this time mostly involving his own shokupan – Japanese milk bread – baked on the premises.

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Restaurant review: Club India

This week’s review partly came about because of a gentleman called Andy Hayler. Now, you might not know who Hayler is, but in terms of food he’s something of a phenomenon.

The shadowy world of Michelin exists behind an impenetrable curtain, with nobody sure how they work or what dictates who gets listed, is awarded Bib Gourmands and stars – or, sometimes, has them taken away. Andy Hayler is the closest thing we have to a Michelin inspector working in plain sight. He has a blog, which has been around since the 90s, in which he has documented hundreds of meals in restaurants, giving each restaurant – and every dish – a mark out of 20.

I’ve rarely seen anything get lower than a 10, and very little approaches the top of his scale, but that’s because a fair amount of what Hayler has reviewed is at the highest end of dining. There was a time when he had eaten at every three starred restaurant in the entire world, although he stopped keeping up with Michelin when, as he puts it, they devalued what three stars should signify by giving them out in some territories to restaurants that were nowhere near the standards he had experienced elsewhere.

Hayler has a sort of cult, niche status in food. I’ve read a couple of pieces about him in recent years, both verging on hagiographies. He’s been described as “the best living food writer”, and I’ve read interviews that gush about his effortless recall and the esteem in which he is held by chefs and restaurateurs. He is the cognoscenti’s critic of choice and no mistake.

I think he attracts some of those plaudits because of what his reviews both are and aren’t. They don’t, in some senses, read like reviews at all, more like audits from someone scrupulous and meticulous who has forgotten more good meals than most of us will ever have. Although it doesn’t sound like he forgets many of them: why would you, when you document them all in such extensive detail?

I think the respect also comes from his refreshing lack of ego; Hayler would be the first to draw a distinction between himself and many restaurant reviewers. “I wouldn’t ever pretend I was any sort of fantastic prose master. I’m not trying to throw in a load of stuff about my journey to the restaurant and the trendy people on the table to the left” he has said, subtly throwing shade on half the piffle I come out with every week.

Don’t worry, there’s no way he meant me personally: in fact, he once described one of my pieces, about Maida Vale’s Paulette, as a “lovely review” which I found surprisingly touching. “Most of the newspaper critics want to be writers first, I want to focus on the food” he said more recently. I suspect the people who read him admire that purity of approach, and it does mean that when he thinks somewhere is dismal or overrated, which happens occasionally, it’s really very amusing.

What’s also admirable is that Hayler goes where he likes, reviews wherever he wants: money seems to be no object, and he doesn’t follow the fads. You won’t find him, for instance, reviewing Brasserie Constance, a restaurant operating out of Fulham FC’s Craven Cottage, unlike nearly every broadsheet critic over the last few weeks. Instead, his two or three reviews each week involve him going wherever he pleases, in London and abroad.

His two main weaknesses seem to be eating at the Ritz in particular and eating Indian food in general. Hayler is a regular visitor to Epsom’s Dastaan, and the little group of restaurants it has spawned in Surbiton, Richmond and Leeds. He’s also a frequent diner in Southall, and when he gave a warm review to Hounslow’s review of Crispy Dosa last November it caused a Mexican wave of regional bloggers checking out their nearest branch to touch the hem of his virtual garment (been there, done that – four years ago).

“If Mr Hayler thinks it is OK, it is a fair bet I will probably like it” one said. “You can be assured that if Andy says a restaurant is worth visiting then it really will be” said another. That’s proper soft power, and all from the opinion of a chap you mightn’t have heard of.

Hayler even came all the way west to Caversham last year to review Clay’s, something I’ve been waiting for him to do for a very long time. He gave it 14/20, which may not sound like a big deal but actually is. “Clays is a very impressive family-run restaurant, the food shows a lot of care, and the chefs are clearly putting some real effort into reproducing an authentic taste of India” he concluded, after paying particular tribute to Clay’s cabbage pakora, lamb chops and, of course, bhuna venison (Hayler also tried methi chicken, a dish he seems particularly to favour).

Seeing Clay’s reviewed by Hayler was like watching somebody you know being interviewed in the national news, and it made me proud. It didn’t make the local paper the way Grace Dent’s write-up had, but in its way it was every bit as significant. Hayler, as he said, is all about the food.

Now, by this point even my most supportive readers are probably thinking this is an even more circuitous intro than usual, what has this got to do with anything?’ Well, I’ll tell you: every week Andy Hayler does a roundup on his blog, and every week the byline gives a couple of destinations. From South Kensington to Mayfair one might read, or From Piccadilly to Rome. Fancy restaurants and/or jetsetting are invariably involved. And then, at the start of the month, one made me do a double take. From Winnersh to West London, it said.

Winnersh? Our Winnersh?

It was not a misprint. Andy Hayler had come all the way to Winnersh to try out Club India, an Indian restaurant that opened back in July where the old Pheasant pub used to be. I mentioned that development when I reviewed Dolphin’s Caribbean, back in June, What I said, looking back, feels a little graceless, especially as they sent me a lovely email inviting me to a pre-launch event. I read the blurb and thought it sounded potentially interesting, but then again: Winnersh?

Andy Hayler had no such compunctions. Club India’s consultant chef had held two Michelin stars at his restaurant in San Francisco, although Hayler’s verdict on that place was that if a chef had gone there trying to pick up tips “he or she would either burst out laughing maniacally or seek to throttle any passing Michelin inspectors; possibly both”. But the head chef had headed up the kitchens at a couple of London restaurants Hayler really rated. So he went, he enjoyed it, he dished out scores out of 20 for all the dishes and, of course, he ordered methi chicken.

Overall he gave it the same rating, 14 out of 20, as Clay’s. “Club India was a thoroughly enjoyable experience, the food and service excellent, and at an affordable price. I wish I could say that more often these days” was his conclusion. That was good enough for me, so on a Friday night after a couple of pre-prandial beers in town Zoë and I hopped on the number 4 bus to go and see if Reading really did have a rival to Clay’s Kitchen, tucked away in – this may not be the last time I say this word slightly incredulously – Winnersh.

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