Restaurant review: Bébé Bob, Soho

Sometimes I wonder if I’m still true to the newcomer who started out reviewing neighbourhood Sardinian restaurant Pepe Sale all that time ago. Have I managed to keep my finger on the pulse of what Reading diners really want from a meal out, or has my head been turned by all those great meals, all that fine dining, all those plaudits and mentions in the national press? It was something that crossed my mind from time to time, especially as I was sitting in Soho House – my second Soho House of the afternoon – with my friend James, polishing off a carafe of Viognier, ready to scoot across town to Bébé Bob, a restaurant which sells rotisserie chicken at just under forty pounds a head.

If any of you are still reading after that opening paragraph, I feel I should explain: James suggested going to Soho House as he’d got membership a few weeks ago. And the chance to experience life on the other side of those discreet doors, to see how the other half lives – well, how could I resist? So I accompanied him, feeling quite the bumpkin, as he scanned in using the app on his phone and the woman on reception, ultra polite and polished, greeted us by name and explained the facilities, including various roof terraces and the cinema in the basement where they did regular screenings. I tried not to look too “Home Counties hick up in London for the day”, no doubt failing miserably.

Inside everything was ridiculously tasteful, the place filled with the buzz and clamour of a newborn London weekend. I tried to be insouciant, but of course I was meerkatting every time someone went past. Would I see a celebrity? (The answer, by the way, was no.) If anything, the interior was more stylish than some of the people who wandered past, distinctly nouveau, laden down with carriers bearing the logo or one designer or another. I entertained myself trying to guess their story; tech bro; footballer’s agent; lottery-winning fish out of water. What would people have thought James’ and my story was?

But anyway, if I sound sniffy I don’t mean to; it was a fascinating experience, made more fascinating by the knowledge that it’s unlikely to be repeated any time soon. But the chair was comfy, the sunlight flooding in from the roof terrace was welcome, the people watching was Olympic standard and the Viognier was crisp and peachy. I would be a hypocrite if I tried to claim I hadn’t had a wonderful time.

But in the course of writing this I did a bit of research and there were a couple of stories a few months ago saying that Soho House had lost its exclusivity and cachet – one of them in Tatler, no less, saying effectively that they’re admitting all sorts these days. That was in March, but I would say that even if it hadn’t happened by then, the club letting me through the door in April might have signified the moment it truly jumped the shark. The following week I sent James a meme on Instagram describing Soho House as “the Freemasons for influencers”: he didn’t dignify it with a response.

Anyway, I was the one that had chosen Bébe Bob for our dinner reservation, the second half of a one day chicken festival which commenced with disappointing fried chicken at Coqfighter. I thought I was on safer ground with Bébe Bob, an offshoot of Soho’s famous/infamous Bob Bob Ricard specialising in rotisserie chicken almost to the exclusion of everything else. Their website rather spells it out, Any main course the customer wants, as long as it’s chicken or chicken. It also rather splendidly says that Fashionwear is welcome, activewear is not.

Bébé Bob opened last October and has already attracted a raft of plaudits from the people who know about these things. Grace Dent went there at the start of the year and seemed to enjoy herself, even if she called it a “chicken and chips place that thinks it is ‘it'” and made a tired joke about Margo from The Good Life. And restaurant guru Andy Hayler – recently seen enjoying Clay’s Kitchen – visited in March, lavishing the chicken with, by his standards, fulsome praise: “it was a joy (16/20)”, he raved, presumably having a lie down in a darkened room afterwards.

All good omens, then. And I have to say, the interior of Bébé Bob was one of the most gorgeous, luxe spaces I’ve eaten in for as long as I could remember. They claim it’s inspired by the Golden Age, and I can kind of see that. Everything is chic, sleek and deco, plush and subtly lit, and you’ll struggle to find a sharp edge anywhere, from the curvy, velvety chairs to the rounded corners of the wood panelling. Impeccably tasteful, too, especially the art on the walls, Kandinsky squiggles in Mondrian colours. I loved the tiled floor too, reminiscent of Clarice Cliff, although research suggests they inherited that from Folie, the previous restaurant at this site.

But overall, the whole thing was enormous fun, grand but not po-faced, and you got a sense of being on a Cunard liner in the Thirties, going from somewhere glamorous to somewhere equally glamorous. I half expected the captain to announce that we would be docking at Biarritz on the hour, or Poirot to assemble everybody in the salon and reveal the identity of the murderer.

Bébé Bob’s menu does indeed live up to that promise of chicken main courses to the exclusion of all other – and just the two kinds, Vendée for nineteen pounds a pop, or Landais for thirty-nine. The former is “raised outside for most of its life”, which does rather make you wonder about the other less enjoyable parts, while the latter is corn and milk-fed, free-range and given more time and space, apparently developing a deeper flavour as a result. Could it be worth thirty-nine pounds, though?

Grace Dent never found out, because they’d run out when she went, while Andy Hayler, always one to throw money at a problem, ordered the Landais and said it was in a completely different league to anything you could get in this country. Our server, one of a brigade of charming and efficient servers, told us they only had one of the Landais left. We reserved it.

“We were always going to go for the expensive chicken, weren’t we?” said James. We’d spent the afternoon in Soho House drinking cocktails and wine after drinks at the French House. Of course we were.

The menu says that although chicken is the only main on offer, starters are “plentiful”. In reality there were six, one of which was a salad, although I guess I wasn’t counting the three varieties of caviar also available. Starters were between twelve and twenty-two quid and I suppose could have been described as timeless or retro, depending on your perspective: that’s why Grace Dent made that crack about Margo Leadbetter.

James decided to try the prawn cocktail, possibly the archetypal starter from days gone by, and seemed to like it but not love it. The Marie Rose apparently had quite a kick to it, although it wasn’t clear where from: the menu said that cognac was involved but that didn’t explain the heat.

I had been torn between egg mayonnaise and smoked salmon, so I asked our server for advice. He immediately came down on the side of the former. “It’s a lighter dish” he went on to explain. Well, happy days, I thought: it’s been a day of excess already and I had a wedding suit to slim into and only two weeks to do it. We even turned down the offer of bread, that’s how well behaved I was trying to be.

Well, I have to congratulate our server for his gift for understatement, because light doesn’t do it justice. It wasn’t egg mayonnaise as I’m used to, instead being a singly impeccable boiled egg, split open, each half adorned with a firm, salty Cantabrian anchovy. Under that, capers and herbs and a smudge of a delicious, punchy mayonnaise with a hefty hit of Dijon mustard. All very nice, but approaching amuse bouche levels for twelve pounds. I found myself wishing I hadn’t spurned the bread after all.

The thing is, whatever the quibbles about the food you couldn’t knock the location, the surroundings or the sense of occasion. We sipped our way through a very decent bottle of sauvignon blanc from the Loire, which was mentioned in Andy Hayler’s review. It was, in his own effusive words, “Forty-three pounds for a bottle that you can find in the high street for fourteen”. To give you an idea of the wine list, this was easily one of the cheapest wines on there – it was actually forty-four, but that’s inflation for you – and you could easily spend north of sixty quid without even necessarily meaning to.

Service really was lovely, but there was an interesting moment when the servers approached the table next to us with their chicken, ready to serve it with ceremony and solemnity. Our neighbours were American – I’d already clocked that from the accent – but they’d obviously spent too much time in the U.K. I could tell that from their reaction to the arrival of their main course.

“Goodness, that’s very quick chicken” the woman said. This is the kind of thing an English person would say, when what they meant was why the hell are you bringing this out almost immediately after I’ve ordered? I’d expect that in Nando’s, not somewhere like this. Which is, to be fair, the kind of thing I’d expect an American to say when rushed in a British restaurant. When she instead decided to express passive-aggressive surprise I didn’t know whether to be impressed or disappointed; James and I did lean over, after the server had gone, to express our solidarity.

Maybe you only get the delay if you order the fancy pants chicken. That would explain why ours arrived about quarter of an hour after we’d finished our starters – although even that, come to think of it, felt a little bit quick. From the text on the menu nothing about this chicken’s life had been rushed, so it was a pity this part was. It deserved better. But you had to hand it to them for the ceremony – each of us had a breast and a leg reverently placed on our plate, a poultry yin and yang, with the oyster delicately popped in the middle. And finally, thick jus was drizzled from a little jug, anointing the whole lot: I now declare the most expensive chicken you’ll ever eat in your life, open.

I know you want to know what a thirty-nine pound portion of roast chicken tastes like. Well, I’m here to tell you that it’s, err, nice. I didn’t get a stunning moment of clarity where I thought “this is why!” The meat was dense, and I’d like to think I perceived the epic intensity of flavour that the experts had picked up on, but I can’t say I could. These chickens are apparently bigger, from all that time spent living the life of Riley, eating corn and drinking milk in their own sweet time, but I can’t say I felt like there was a huge amount of meat. The skin was rather pleasant, but lacked that crispiness that would have made it top tier. I almost wish I’d been able to try both types of chicken side by side: perhaps then I would have realised what all this money bought you, but as it was I wasn’t sure I had.

By way of comparison, the best rotisserie chicken I’ve ever had – so far, at least – is in a renowned Lisbon restaurant called Bonjardim. There they rub the chicken with salt and lemon until the skin is almost like cracking. It’s outstanding stuff – I once went to Lisbon on holiday and ate there twice in one trip – and as it happens the following weekend James was on a short trip to Lisbon so I told him to check Bonjardim out. True to his word he sent me a photo that induced envy and hunger and made me curse my pre-wedding diet. This shat on Bébé Bob was his pithy review, delivered via iMessage. It cost him ten Euros.

It’s especially a shame because the peripherals were all terrific. The chicken jus almost made it all worthwhile, so deep and sticky and savoury. Which of course means there was nowhere near enough of it to go round: if it had been up to me there would have been a huge bowl of the stuff, and then I might gladly have foregone the chicken. I wondered if the chicken jus was specifically Landais chicken jus, not that it would have justified the thirty-nine quid,

Also excellent was the truffled cauliflower cheese – burnished and brilliantly moreish with a good whiff of truffle without being overpowering. It had to be good for nine quid, but it pretty much was. Although to be fair, by that point after a day in Soho I might have been anaesthetised to the point where the cost of things didn’t properly register with me. It’s only money, after all. And I rather liked the potatoes, which were roasted in chicken fat. They looked when they turned up like they might be a little anaemic, carvery-grade stuff, but feeling the golden shell crack under a knife I realised they were the real deal.

It felt like a little bit of a waste not having dessert, but we both felt like we’d dented our wallets enough and the Elizabeth Line was calling to us. In any event, I wouldn’t have called the dessert menu plentiful either, as out of the seven desserts on offer one was a pair of chocolate truffles, a second was a shot of lemon infused vodka and a third was lemon sorbet with – yes, you’ve guessed – a shot of vodka. That gives you four proper desserts, one of which is a brownie: no wonder we passed.

And that’s when we had that ouch moment that comes in some restaurants, the moment when even though all the prices are clearly displayed throughout and you know exactly what you’re ordering, the bill arrived. Our meal for two – a bottle of wine, two starters, two chickens, two sides and some mineral water – came to just over a hundred and ninety pounds, including service. We knew it would be that much, we ordered the holy grail of chicken, nobody mugged us in an alleyway, but still. We also both mentally tracked back many of the meals we’d ordered and loved over the last few years. The vast majority of them cost less than Bébé Bob.

So that was the end of ChickenFest 2024. We hopped on the train and headed back west full of chicken and equally full of questions. Was Bébé Bob a good restaurant, an average one or a bit of a rip-off? Even as I sit down to tap out the final paragraphs on this review I’m still not entirely sure. It’s a great example of how a restaurant is more than the sum of its parts because as theatre, as an experience, I loved Bébé Bob’s silliness. The starters were decent but small, the chicken was decent but too expensive. What does that amount to? What does it all mean?

Well, search me. I imagine ninety-five per cent of you will look at the mark at the bottom and think it doesn’t reflect the meal I had, but I don’t even know what I think of the meal I had, not even now. I’ve rarely been to a restaurant that so unapologetically makes you take it on its own terms. I’m glad I went once – it’s only money – but I can’t imagine I’d ever go again. If you went and had, in the immortal words of Franck Eggelhoffer, the cheaper chicken, you might emerge having spent less and still had a very creditable meal.

But is that the point, and even then would it be enough when you think of all the excellent restaurants a stone’s throw from Golden Square? Maybe not. Bébé Bob, like Soho House, is a peek into another world, a vision of a life where most of the people there have considerably more money than I do. It was fun to visit: I had a blast. But it was even nicer to come home afterwards.

Bébé Bob – 7.0
37 Golden Square, London, W1F 9LB
020 72421000

https://www.bebebob.com

Restaurant review: Coqfighter, Soho

Last May, in a bit of a departure for the blog, I reviewed two chicken places in London back to back: Portuguese Casa do Frango, just off Regent Street, and fried chicken specialists Chick ‘N’ Sours in Covent Garden. It was a day of excess with my good friend – and chicken obsessive, naturally – James, in what we dubbed ChickenFest, and we resolved at the start of the year to make it an annual event. That’s how we ended up, on a Friday in April, perched at a table in Soho, ready to do it all over again.

We had wound up in Coqfighter, because my research had suggested that it was very much an equivalent of Chick ‘N’ Sours. It started out in Boxpark, both in Croydon and Shoreditch, before opening a bricks and mortar site five years ago – on Beak Street, which is presumably an accident but a happy accident nonetheless. The reviews I’d seen had been complimentary, although more than one was comped, and they led me to expect a more stripped-down menu than at Chick ‘N’ Sours, but one done very well. Coqfighter also boasts an Instagram feed that would make most people ravenous: it certainly had that effect on me.

In the course of writing this review I went back and looked at quite a few reviews from other people, and it’s strange that literally not a single one told you anything about the room. I wonder why that is, because for me it was the wrong side of the line between functional and dysfunctional. The façade was pitch black, and beyond it the front room was very unprepossessing, One wall was gleaming white metro tiles, the other a vague terra cotta, but everything else was black too.

The furniture was also strange: little black tables, each with a couple of low little black backless stools. There was a second room out back, but it was further from the daylight and far dingier, so we decided against it. From Google image searches the tables used to be longer, communal things: that may or may not be your idea of hell, but I just felt far too old for these kind of seats. Where were you meant to put your coat? I never thought a restaurant would make me feel nostalgic about wedging my well-padded posterior into the ubiquitous Tolix chair, but Coqfighter managed it.

Coqfighter’s menu is more Honest Burgers than Chick ‘N’ Sours, all main courses and sides, no starters. Chicken came in all its permutations: burgers, wings, tenders, fried on the bone and a couple of half roast chicken options. Sides, unless they were also made of chicken – which the best sides might well be, come to think of it – consisted of a couple of types of fries, two different kinds of sweetcorn, coleslaw and a cucumber and sesame salad.

Not inspirational stuff, and I certainly didn’t see anything to rival Chick ‘N’ Sours’ profoundly good chicken toasts. But if you like fried chicken, as James and I surely did, there was plenty here to appreciate. Keenly priced, too: the most expensive dishes were twelve pounds or thereabouts, sides roughly a fiver. Coqfighter’s beer is made by Orbit, so we both had a two-thirds of their house lager and a couple of sodas while we made up our mind. The beer, really, was indistinguishable from a good macro lager like the one I’d had at the Moderation a couple of weeks before. The sodas were a surprise hit – James loved his raspberry lemonade and my sour cherry soda, more sweet than sour, was a real delight.

We ran into headwinds when we placed our order, or rather tried to. I’d earmarked a burger, so I ordered that with no problem. But James fancied the Thai style half roast chicken, Coqfighter’s take on gai yang with soy, ginger and lemongrass, only to be told by our server that it wouldn’t be ready for another forty-five minutes. This was at a quarter to one: were we happy to wait? We weren’t, so James went for his second choice, a two piece of drumstick and thigh on the bone with miso butter gravy.

“Oh, I’m sorry, we don’t do that any more. We’re meant to be taking it off the menu.”

I have to say our server was lovely, friendly and attentive and she later told us, when we were settling up, that it was only her second day in the job. And I did feel for her, sent out to have difficult conversations with customers about how one section of the menu wasn’t available at lunchtime while another dish wasn’t available full stop. Nonplussed, James picked his third and fourth choices instead, and although he was ultra polite, as he always is, I could tell he was a little unimpressed.

Still, you can only order from the menu in front of you on the day and you can only review what you’ve ordered. With that in mind, I think I got the best of things with the chicken burger. The texture was spot on, the coating crunchy and crenellated, and I’m always happy to see a sesame seed bun rather than brioche. The menu doesn’t say whether it was thigh or breast but I think it was the former, which would always be my preference. And the plus of it being fairly compact was that you could actually pick it up and eat it without disgracing yourself or having to resort to the infra dig spectacle of using a knife and fork.

Those were the pluses. But the downside of it being compact was that it didn’t resemble any pictures of Coqfighter’s burgers I’d seen, either on their social media or other reviews. Usually the chicken offered a huge amount of elevation and poked out untidily from either side of the bun as if the bun simply couldn’t contain it, the extraneous bits practically asking to be nibbled. No such joy here. I’d chosen the honey ginger buffalo burger, thinking that it combined three of my favourite things in one magical sauce, but the end result was out of kilter, more sweetness than bite. And what was it with the sauce oozing out on to the plate like a perforated egg yolk? It just made it soggier than it should have been.

James’ tenders, which are the kind of thing I always order in places like this, also looked the part but couldn’t convincingly play the part. They were nearly there but not quite, and it was all about the texture. “The seasoning of these is actually spot on” said James, “but they don’t have the crunch. They needed a little longer in the fryer.” I thought James was being fair: my instant reaction, to be honest, was that KFC does these every bit as well,

This is also the point to mention the dips because we went crazy with these and again, they promised so much but didn’t live up to it. So we had a Korean hot sauce which tasted neither hot nor Korean, and a Korean barbecue sauce which was about as Korean as I am. Neither had ever been anywhere near any gochujang, as far as I could tell: is it just the fashion now to dub things Korean when they’re nothing of the sort? Neither of these was any better than the contents of a little plastic cuboid tub from KFC or McDonalds. We also had a sambal mayo which I imagine did both sambal and mayo a disservice, and some kind of ranch thing.

“I’m pretty sure I saw them all coming out plastic bottles” was James’ observation: he had a better view of that than I did. None of them livened up the chips, which were bought in and dreary. I spotted a few grey patches on mine, which made me leave a fair amount of them, but I didn’t feel like I was missing out. Apparently they are “tossed in our house shake”, but their house shake appeared to be some kind of acrid combination of paprika and dust.

James had also gone for the wings, because he believes that chicken on the bone is always the best way to check any restaurant’s chicken. He didn’t mind these, and they were tossed not sauced – he has firmly held beliefs that this is The Only Way – but had the same kind of feedback as me about the honey ginger buffalo sauce, It tried to be three things at once and failed at all of them.

We agreed to compare notes properly on our debrief in the pub, but even from the conversation we had in the restaurant, the expressions and raised eyebrows, I had an inkling we were on the same page. Keen to get on with our day and put any disappointment behind us we settled up: it came to sixty pounds, including tip.

After a wander and a shop, we grabbed a table at the French House and a large bottle of Breton cider and carried out the post mortem. It was mid-afternoon, the time I like the French House best, and the pub was starting to fill with the kind of characters who only seem to exist in the French House at three in the afternoon. Where did they live the rest of the time? I’d missed Soho, it had been far too long.

“The funny thing is, they were doing a lot of Deliveroo” said James. “I think I must have seen eight different riders turn up in the time we’ve been having lunch.” He was right, and at least a couple had been the same rider twice – either that, or it was a glitch in the Matrix.

“In fairness, if you could eat one of those burgers at your desk you’d probably feel like you were winning at life.” I said. I had a momentary flashback to a time many years and a lifetime ago when a colleague and I picked up a family bucket from KFC, took it back to work and ate it at our desks. It was worth the funny looks we got from the people in the lift. Perhaps we should have offered them a drumstick.

“I just think about Bristol,” said James, “and the chicken at Wings Diner. It’s miles better than this.”

“And I know you didn’t rate the branch of Eat The Bird that’s opened in Bristol, but the one in Exeter was also a different level to Coqfighter.”

“I think Chick ‘N’ Sours is better than this, too.”

I took a glug of my cider and weighed up the pros and cons. I thought about that sesame chicken toast, and how nearly a year on I still remembered it.

“I think you’re right.”

So there you have it: on a simplistic level this is Bristol 1, London 0 but to bring it back to Reading – where I live – Coqfighter isn’t good enough to justify a trip to London, not even if you’re a chicken-fixated eccentric on an annual pilgrimage like James and me. It does highlight, though, that Reading is still missing someone who does this really well: that’s why, when I did my guide to how to avoid chains last week, I didn’t propose an alternative to KFC.

There’s good fried chicken at Clay’s, at Soju, at The Bap, but there’s nothing in the genre of Southern fried chicken to write home about (and yes, I’ve tried Popeyes). You only get that when Gurt Wings comes to town, which is about once a month. I think the new Siren tap room is missing a trick not specialising in this: instead they’re leading with burgers, which feels more of a 2014 Big Idea than a 2024 one. Still, I’m sure they know what they’re doing.

Never mind. Just as the best way to cope with the post holiday blues is to book the next one, the best way to handle this disappointment was also to look to the future. So James and I talked it over, over a second bottle of Breton cider, and decided: next year we’re going to widen the scope of ChickenFest to include duck. We’ll call it PoultryFest, we’ve got it all figured out. The thing is, as we wandered through Chinatown I saw some fine specimens in the windows of several restaurants, and I figured it was time to diversify. It’s important, after all, not to get too set in your ways.

Coqfighter – 6.5
75 Beak Street, London W1F 9SS
020 77344001

https://www.coqfighter.com

Restaurant review: Quality Chop House, Farringdon

As the proud partner of somebody who proudly works in retail, I accepted long ago that my weekends wouldn’t be like most people’s. For many years, we’d get a Saturday together if we were very lucky, a Sunday if we were a little less so. Whole weekends together were a chimera, generally speaking, and had to be booked and planned far in advance. And sometimes I’d get entire weekends to myself where I learned to like my own company better and make myself find things to do: I’m sure, on some level, they were character building. 

It hasn’t all been like that. When lockdown hit and the shops shut, we were in each other’s company all day; I was between jobs back then, and all that time together felt like a present from the universe. For all the fear of getting seriously ill, all the wondering where your next supermarket shop will come from, I’ll always be grateful for that. Walks every day round the deserted business park feeling like we were in a post-apocalyptic movie, hearing Zoë on conference calls on the front step in the sunshine, the buzz of the neighbourhood WhatsApp group as everyone prepared to step outside at 6pm and wave hello. In hindsight it was a lovely time, even if I never read Proust or wrote that novel. 

Then at the beginning of last year Zoë was on a secondment which meant that, for six months, she worked Monday to Friday, 9 to 5. And we got to experience together that life that we non-retailers take for granted – of shutting your laptop on a Friday afternoon, pouring that first drink and opening that glorious parcel of time that’s all yours. Living with someone in retail, I hope, makes me appreciate that privilege a lot more. It also makes me conscious of the sacrifice people in hospitality, as well as retail, make for the rest of us. 

The reason I start by saying all this is that for the past six months Zoë has been on a stretch where she works every Sunday and has every Saturday off, a halfway house between the conventional 9-5 and what she had before. When that happened, I became the equivalent of those people who say they don’t like wasting the day. I proclaimed that we mustn’t squander those twenty-four precious Saturdays, that we should Go Places, See People and Do Things.

Of course now that the six months is coming to an end I have to conclude that we didn’t, really. They got eaten up with illness or other commitments, or kiboshed by train strikes, or a dozen other things. I often think of the quote falsely attributed to John Lennon, that life is what happens when you’re busy making other plans. But it’s not a tragedy, when I think of what we did instead – Saturday morning lie-ins, or afternoons spent in the Nag’s or at Double-Barrelled people watching or planning the next holiday. We still went places, saw people and did things, just without the Capital Letters Of Expectation.

But I really did want to tick off some restaurants, the ones I’ve always wanted to visit but never got round to. In that sense we made woeful progress. But we earmarked last Saturday, one of our final Saturdays together for a while, and after some deliberation I picked Quality Chop House, because of all the restaurants on the to do list I’ve talked about before, it’s been on there possibly the longest, always close to the top.

It’s a curious beast, very much in the vanguard of modern British cooking and regularly topping everybody’s list of London’s 50 best restaurants, despite the waxing and waning of food trends. And you could be forgiven, from the “Opened in 1869” on the website, for thinking it’s that kind of place, a restaurant like Sweeting’s or Wilton’s that has been around for ever. But actually, Quality Chop House is more St John than Rules and although a restaurant has been on the site for over 150 years its current incarnation began in 2012, the last year when we were all proud of Britain.

Since then it has firmly established itself under head chef Sean Searley, who was in the kitchen when they first reopened. It’s expanded, too, with a sister wine bar and small plates restaurant, Quality Wines, next door. Some say it’s even better than its big sibling, but I wanted to start with the original and best, so after a pre-lunch beer at Mikkeller on Exmouth Market Zoë and I took a short wander and passed through its handsome doors. PROGRESSIVE WORKING CLASS CATERERS was etched on a panel of the window: it’s like they saw me coming.

The interior achieves what the menu also aspires to, managing to be simultaneously Victorian and timeless. There are two rooms – the more famous one with benches like pews and the second one which is less photogenic. It’s still a convivial space though, all chessboard tiles and bentwood chairs, chalkboards on the walls listing special wines by the glass (they start at over £20, just so you know). I had a feeling that although the other room had a wow factor this one might have been comfier, and we had a decent sized table, although we had to sit diagonally across from each other so as not to butt shoulder blades with the table behind.

The menu changes daily, which meant that I’d looked at it daily in the run-up, wishing that some things would hang in there until my lunch booking, happy for others to drop out. It was compact and, to me, in the same vein as St John, with a handful of snacks, four starters, three mains and a selection of the eponymous chops.

It’s a menu you have to mentally recalibrate as you read, because a couple of the snacks nudge into starter pricing (and then some, in the case of the £24 chicken liver parfait) and the starters are between £14 and £18. As for mains, if you want a chop or a steak they start at just shy of £35 and climb from there. I was expecting that, so it didn’t bother me, but it’s worth mentioning that their weekday no-choice set lunch is a more modest £29 for three courses. From a look at their Instagram, it has some corkers on it.

But before that we had a cocktail, because it was one of our last Saturdays together for a while. Zoë’s negroni was made with Lemon Pekoe gin and a smidge of 25 year old Madeira and was a knockout. My rhubarb Collins was, for my money, too sweet, the cordial all syrup and no bite. That’s not to say, though, that I didn’t finish it.

The problem with a menu that has snacks and starters on it is that you have to have more restraint than me not to order both. We paced it so the snacks came with our aperitifs and they included some of my favourite things in the whole meal. Salami was by Molinari, a San Francisco-based salumeria almost as old as Quality Chop House, and was just exquisite – thick and coarse but with no bounce or resistance. I loved it, although I’d have liked some cornichons: it reminded me of similar dishes at Oxford’s Pompette where they just leave the jar at the table and let you serve yourself with tongs.

But far better was the dish I had to talk Zoë into letting me order. Smoked cod’s roe came topped with grated, cured egg yolk and a cluster of hot salt and vinegar doughnuts, all gloriously nubbled and irregular. This dish was close to faultless, and scooping a doughnut through the roe before popping it in your mouth was a hugely tactile joy. The smoke in the roe was subtle, the vinegar on the doughnuts beautifully in check. If I had one criticism you needed a couple more doughnuts to really clear up all the roe, but I could forgive Quality Chop House a lot for introducing me to the concept of salt and vinegar doughnuts in the first place.

“This is like – hear me out” said Zoë, giving me a warning about what was to come, “posh Primula.”

“Primula tastes of cheese, not fish. Or are you saying this is like a cross between Dairylea and Shippams?”

“Maybe. And I don’t even have a problem with the vinegar. Menus should make a point of this – it should say salt and vinegar doughnuts, with hidden vinegar.”

Some people. Every bit as good were the pork shoulder croquettes, little dense dice of saddleback packed into a breadcrumbed shell and placed in the middle of a coaster of lime green leek mayonnaise. These were top notch, and although they’re listed as snacks I wish I’d had a portion to myself. I’m so used to Spanish croquetas, all light with bechamel, that I’d forgotten how good something like this could be – nothing but moreish shreds of salty pork. I eked this dish out, knowing that however well I did so it would be gone too soon.

“I don’t know why they call them croquettes” was Zoë’s feedback. “They’re definitely nuggets.”

“I don’t think they’re going to rebrand as the Quality Nugget House, true though it might be. People will get the wrong idea.”

With our snacks out of the way it was time to take the meal seriously and place a proper order. By this stage what had begun as an almost-empty dining room was full, and it made me realise just how efficient the staff were. Efficient and hard working, finding the perfect happy medium between the two unpalatable extremes of matey and glacial. Always there when you needed them, too, in a manner I associate more with eating in Paris than London.

We also ordered a bottle of wine, going eventually for an interesting-looking number from Roussilon that promised peach, herbs and smoke. It lived up to that, and I thought was about its money for just shy of sixty pounds. Initially I thought that the wine pricing was a little sharp at Quality Chop House considering they had a wine shop next door – there was very little south of forty quid – but later on I saw the wine we’d chosen on sale at Bloomsbury’s Shrine To The Vine for thirty pounds, so if nothing else their markups could be a lot steeper.

Starters built on the promise of what had gone before. I am a sucker for sweetbreads so I tend to order them whenever I see them and last year – at Paris’s Parcelles and Malaga’s La Cosmopolita – I had two sweetbread dishes which raised the bar. If anything, Quality Chop House’s rendition might have exceeded them. These were veal sweetbreads cooked in beef fat, and although the fat didn’t overpower them it did give them an almost crispy texture without sacrificing their softness.

But the supporting players were just as important. I’m used to calçots paired with romesco, and I’ve enjoyed that combination many times, but having the two of them as an accompaniment to sweetbreads was not something I’d ever considered. And it all went together so beautifully: heat, nuttiness and sweetness from the alliums. A beautiful dish.

Zoë didn’t especially fancy any of the four starters on offer so decided to grab an eponymous chop from the snacks menu. As a fun-sized demonstration of the meat they bought and how they cooked it, is was difficult to fault and came on a squiggle of cumin yoghurt, strewn with pickled chillies.

A dish made with lamb chops is one of our regular midweek staples, especially when we’re trying to cut down on carbs (did I mention that I have to lose about five stone in three months for this wedding I’m having?). And I wish when I cooked lamb chops they tasted like this – the forkful I tried was impressive stuff.

At this point I was convinced that I was halfway through a record-breaking meal: the wine was slipping down nicely, everything I’d eaten was magnificent and the room was buzzing. This was what I had told myself we’d do on Zoë’s Saturdays, and even if we’d left it late we’d saved the best until last.

For me the mains didn’t reach the same heights, but it didn’t change the fact that if I’d had them in any other restaurant they would have easily made my top ten of the year. I decided to eschew, rather than chew, the chops so I’d chosen the fish course – a firm, bronzed slab of pollock sitting in a moat of crab bisque, a blob of aioli behind it and some wild garlic reclining, wilted and louche, on top.

That all sounds superb, and it wasn’t bad, but I wasn’t blown away the way I had been by the smaller courses. The fish was perhaps a few seconds too well-cooked, the bisque lacking in savoury depth. I wasn’t sure the aioli added much. Was I being ultra-critical because everything else had been so fantastic? Possibly.

Zoë on the other hand had opted for the double chop combo, following up her lamb starter with an immense pork loin chop. It was Saddleback, again, and it was undeniably a terrific, whopping piece of meat. It was so beautifully cooked, the meat tender and nowhere near dry, the fat softened to the point where it was the best thing on the plate. I was allowed a fair bit of this – 400g is a big old chop – and it made me suspect that picking the fish dish was tantamount to, as a friend once put it, going to Nando’s and having the prego steak roll.

Both dishes were lacking in carbs or veg, and you have to order those separately. Maybe it was those snacks at the start, but neither of us could work up much enthusiasm for a bitter leaf salad with grapefruit (which didn’t feel like it went with anything we’d chosen) or squash with rosemary. We did, however, gravitate towards Quality Chop House’s confit potatoes. It’s a dish they’ve become known for, perhaps more than any other, and it has inspired a lot of imitations. It was also the one dish I was determined not to leave Quality Chop House without trying.

And yes, they were every bit as good as that picture down there makes them look. Hefty cuboids made up of many thin layers of spud, pressed and then fried until the outside is a salty, brittle treat. If you like starch in general, or potatoes in particular, I’m prepared to go out on a limb and say that this is a death row dish. I am struggling to thing of anything – the crispiest chip, the most buttery mash, the creamiest dauphinoise – that quite matches this as the apex of potato perfection. Personally I probably wouldn’t have piped mustard on them. But it’s their place, so they can do what the hell they like.

But the strange thing is this – I loved them, but I wasn’t sure they really went with either of our mains. That, and the lack of some kind of veg, made the meal feel a little lop-sided, a tad needlessly beige. Was I being ultra-critical because everything else was so good? There’s that question again.

Having dessert, under these circumstances, was a foregone conclusion. But first we finished our wine and had a look at the dessert wines on offer. Many of them were available by the glass, and the menu does recommend some pairings with desserts, but when I noticed a Riesling by excellent German producer Staffelter Hof my decision, and Zoë’s, were made. I’ve enjoyed their wines both at Clay’s and Marmo, but didn’t know they did a dessert wine. And it was outstanding – golden and sweet, sticky but not sickly.

Zoe’s choice of dessert, under any other circumstances, would have been mine. And it was a lovely, classic piece of work, a cheesecake with a thin but exquisite biscuit base and a layer of mandarin orange and something called “blood orange sherbert” on top. It was as good an example of a cheesecake as you’ll find, but fundamentally it was just a cheesecake.

I think I picked better: I had the ice cream. And yes, fundamentally you could say it was “just” ice cream but that would fail to do it justice. It was an olive oil ice cream made from eye-poppingly expensive Capezzana olive oil, and it was the best ice cream I’ve had in this country. Easily up there with anything I’ve had abroad, too. I’ve not had olive oil ice cream in many years but here the oil permeated everything, giving the ice cream a perfumed, grassy note that took it up several levels.

The whole thing was drizzled with olive oil that collected brightly at the bottom of the bowl, waiting to be scooped up. And each spoonful had a little crunch of salt crystals. This dish wasn’t sweet or savoury – it was far too clever to pick a side in that way. It thumbed its nose at being either and was instead authentically, enchantingly itself. It cost ten pounds, one of the least expensive dishes of the meal, and was worth every penny: if I could teleport any one dish from the Quality Chop House to my sofa right now, as I write this, it would be this one.

We had outlasted a few tables that had arrived after us – such quitters – and as our bill came with a couple of pieces of white chocolate fudge we chatted with our server. We asked if we could buy the wine we’d had at the wine bar next door and she said no, because they’d made a conscious decision to stock completely different wines there. “It’s nice for us, because it means when we go there for a meal we get to try something new” she said, adding that the staff happily ate in the restaurant or the neighbouring bar on their own dollar because the food was so good.

“The thing is, people come for the chops but I think everything else on the menu is so good. Like the fish you ordered. And you really need to come back during the week, because the set menu is amazing.”

Our bill, with service included, came to about two hundred and eighty pounds. I know that might be the bit where many of you wince – don’t I know there’s a cost of living crisis on? – and I could say that we ordered a digestif and a dessert wine each, a decent bottle of white and four courses.

But it is difficult to deny that unless you’ve having that set lunch menu during the week, Quality Chop House is a pricey restaurant. When I compare it to Manteca, across town, where we ate easily as much food last year and spent three quarters of that amount, it drifts firmly into special occasion territory. But then Manteca was 2023, and this is 2024, and a lot of restaurants are going to the wall. Even having only been there the once, I’d like it if Quality Chop House wasn’t one of them.

After my meal I knew Quality Chop House was extremely good, but I also knew I needed to reflect to figure out just how good it was. And the answer, I think, is very, but not without a handful of bet-hedging caveats. It is classic and timeless and that is a big part of its strength. You won’t be buffeted by food trends or forced to eat anything that’s been freeze dried or agitated into a foam. You’ll have a gorgeous, comforting meal in a space that feels like it could have existed and looked like this at any time in the last hundred years. You’ll experience superlative service, and come away knowing that you’ve treated yourself.

And yet there is a slight niggle that stops me giving it one of the highest ratings I’ve ever awarded. Brilliant though it is, it is pricey. The menu is a tad unbalanced, as I said. And the most interesting things on it are at the beginning and at the end, which is why I understand the plaudits that have been heaped on Quality Wines next door.

Because as much as I liked seeing a hulking great chop set down in front of us, there was a bit of me that would have preferred a restaurant that stuck to the snacks and the small plates, and maybe offered wines at more approachable prices. This venue was great, I enjoyed it and I’m so glad I went there. But that venue, the venue I might have liked Quality Chop House to be, sounds like it’s literally next door.

But never mind. After many of the things I’ve eaten this year – for the blog or for fun, mindfully or mindlessly, out and dressed up or in my comfies on the sofa, in company or alone – are firmly in the past I will still remember that afternoon of chat, laughter and leisure. And I’ll remember that ice cream. Any restaurant that can make memories like that is okay in my book.

Quality Chop House – 8.8
92-94 Farringdon Road, London EC1R 3EA
020 72781452

https://thequalitychophouse.com

Restaurant review: Manteca, Shoreditch

I have a note on my phone which is just a list of London restaurants. I mean, doesn’t everyone?

Strictly speaking, it would be more accurate to say that I have a note on my phone which is two lists of London restaurants. The first is a set of restaurants near Paddington, and dates from the time early in 2020 when I thought it might be a good idea to branch out. I figured that many of us end up having to drag our feet in London to take an off peak train home and that some reliable restaurants people could visit in the meantime might prove a godsend.

It was a good idea in theory, but I only managed one before suddenly all of us were taking far fewer trains, and heading to London became a pipe dream. But the list’s still there, and one day I may get back on it, exploring the Malaysian restaurants around Paddington, the Lebanese joints on the Edgware Road, or just revisiting my favourite little side street Greek place in Maida Vale.

The second list is of all the London restaurants I’ve always wanted to review but never got round to. Some, like Rules and Noble Rot, I’ve been to before. But others are ones I’ve read about in newspapers or in blogs and told myself I’ll visit one day. Like the Wes Anderson-esque French stylings of Otto’s in Clerkenwell, or the little dining room above Soho’s French House where Neil Borthwick,  Angela Hartnett’s husband, cooks a small menu of Gallic classics. They’re not all French, I should add: Smoking Goat, Kiln, Quality Chop House all get a look in. Even with all the casualties in hospitality, I know this list will only ever increase in size. One day, it will see me out.

Manteca has been on that second list for quite a while. It started with a brief spell on Heddon Street (not far from where Casa do Frango is now) before spending some time in Soho and then relocating to Shoreditch’s Curtain Road in late 2021. At every step critics and bloggers have had nothing but praise for it, and looking at the menu in the run-up to my visit it was easy to see why. They make their own pasta on site – so far, so Padella and Bancone – but also specialise in nose to tail eating and make their own salumi, so nothing gets wasted.

The acclaim was so universal that this felt as close to a sure thing as you could get, so I made a lunch reservation for the Saturday of May’s last long weekend, so Zoë and I could try it out after a shopping expedition. Arriving a little late – finding your way there from Liverpool Street can be a bit of a horror show if you get lost in the Broadgate Centre – the welcome was warm and forgiving.

It’s a sizeable site, although you’d never know it was a Pizza Express in a previous life, and they pack them in, with the overall effect that you can barely hear yourself think (would-be restaurant inspector and all-round gastro-spod Andy Hayler complained that it was “like eating in a nightclub” – as if he’d know), and once you’re wedged into your table you’re going nowhere in a hurry. Our server initially tried to seat us at a dingy, unloved table right at the back, far from daylight, and when I asked if we could instead have a nicer table near the window she seemed taken aback, as if the idea had never occurred to her.

The menu’s brilliant at creating agonising dilemmas, more than nearly any restaurant I can remember. There are snacks and nibbles, small plates and a handful of pasta dishes – fewer than you might expect. Small plates are around a tenner, pasta closer to fifteen. Finally, there were some bigger dishes which came in at thirty pounds plus.

Our server explained that pretty much everything was designed for sharing. She also talked us out of ordering two of the large plates once she’d taken the rest of the order, a fact for which I was very grateful further down the line. I sipped a gorgeous cocktail made with Amaro and lemonade – how did I not know that was a thing? – while Zoë, as is her habit these days, tried (and loved) her negroni.

We started with a few snacks while we made up our mind and they contained the only dud of the meal. Focaccia was, to my mind, nothing of the kind, being dry and stodgy and only having a whisper of oil in it. The top crust was great, but that was the tip of the iceberg. And the iceberg was dense and heavy going. I should add that Zoë loved it, but she’d spent the week on a carb-free diet so she might just have been euphoric to be eating bread again.

Much better were the fried olives, little breaded spheres of sausage meat and olives that I could have eaten all the live long day. At three pounds each, though, you might be broke before you were full. Nonetheless, this was the first hint that something special was in store, a hint which quickly gathered momentum, becoming a firmly held conviction.

I’d seen the first of our starters on Manteca’s very distracting Instagram page, along with a caption that said it was only on the menu when they had the right cuts to make it. Ciccioli was lean pork, braised in rendered fat and then pressed into a cake and fried to a burnished crisp. It fell apart under the fork, eager to be dabbed with the sweet-sharp apple mostarda on the side. More than just the acceptable face of mystery meat, this was a symphony of flavour and texture and I wish I’d had one all to myself: if you go, and it’s on the menu, order it.

Less successful, possibly because it’s a dish that happens to share my porn star name, was hogget sausage. I liked but didn’t love it: knowing that Manteca does all its butchery on site reassured me that this was packed with the good stuff, but the texture was still smoother and closer to saveloy than I’d personally choose. The flavour more than made up for it, the whole thing draped in wild garlic leaves, because ’tis the damn season. Probably should have kept some of that slab of bread to mop up the juices – maybe that’s what the restaurant had in mind for it.

I think I read somewhere that Manteca used to do their pasta courses in a small and large, but they’ve done away with that now and a portion is very respectable size – enough for you to eat as a main, if you’re no fun, or a beautiful stepping stone between the smaller and larger plates. Manteca’s brown crab cacio e pepe is so fêted that it might be the closest thing the restaurant has to a signature dish, so naturally I ordered it.

It was a gorgeous, simple plate of soothing sustenance which didn’t outstay its welcome. The pasta – strozzapreti in this instance – was terrific, al dente almost to the point of squeakiness. And the crab didn’t dominate, playing nicely with the cheese and pepper to create something beautifully emulsified and far greater than the sum of its parts: if anything, the foremost note was a brilliant tingle of lemon that prevented it from cloying. Like most of my experience, it thoroughly justified the hype.

Wild garlic made another appearance in Zoë’s pasta. Chitarra, a sort of square spaghetti, if you can imagine that, was positively luminous with wild garlic, its edges fringed with racing green wild garlic olive oil. An egg yolk nested in the centre and although it looked slow-cooked and fudgy, once nudged with a knife sunrise spread across the plate. I didn’t try any, because it struck me as a messy thing to reach across the table and eat, but Zoë loved it. She tasted citrus in this too – lime, she thought, although that might have been synaesthesia because it was just so very green.

The one thing that doesn’t tell you about those two pasta dishes – one of the few frustrations of eating at Manteca – is that they came to the table ten minutes apart. When Manteca said their dishes were intended to be shared I assumed they couldn’t mean the pasta because nobody shares pasta, except in Lady And The Tramp. Perhaps they honestly thought we’d share the first pasta dish and then share the second, but they’d also said, in a Wagamama-esque spiel, that dishes from the same section of the menu would come out together.

Does it matter? On many levels, not really. We were having a lovely time, by this point we’d ordered a beautiful bottle of an Australian pinot noir/syrah blend and all was well with the world. But it’s always weird to sit there while your dining companion watches you eat and then have your roles reversed: it’s why I so rarely send steak back in a restaurant. More to the point, we only had the table for two hours – less, because we’d showed up a little late, so you’d think they’d be tighter on time. As it was, because they didn’t rush us through the pasta, which they should have done, things got more frantic at the end.

But this was the only misstep in a meal where even if we were slightly processed, it never felt like it. Manteca’s front of house team were quite fantastic from start to finish, working in one of the busiest, buzziest restaurants I’ve eaten in for a very long time. Also, given the acoustics, their hearing must be exceptional – for the first half of the meal Zoë and I probably had to repeat almost fifty per cent of everything we said.

Arguably, the best way to deal with the challenging noise levels is to dish up food so good it renders customers speechless. I think that might have been Manteca’s plan, and they achieved it admirably with the next set of dishes. Grilled duck breast, pink and tender underneath caramelised skin, was superb, and pairing it with sausage – I think also made from duck, but I might be wrong – was a masterstroke. But the thing that made the dish, for me, was the preserved quince that came with it: fruity, ever so slightly chewy, a fantastic foil for all that meat. It reminded me, ever so slightly, of Georgian fruit leather (don’t knock it til you’ve tried it) and I’d choose it over red cabbage any day. We were approaching full by the end of this dish, but we heroically soldiered on.

The accompaniments were a mixed bag. Grilled greens were a wan medley of cauliflower and chard, and although they tasted decent the texture was too limp for my liking. A thousand times better – and again, almost reason to visit on its own – were the pink fir potatoes, cooked until golden and crispy and smothered in something the restaurant calls “salumi brown butter” – little crunchy nuggets of meat, herbs and fat. I could have eaten these on their own and left the restaurant a happy man, but being able to pair them with duck, or sausage, or use them to soak up the pool of juices at the bottom of the plate, was nothing short of heavenly.

By this point we were decidedly full but still up for attacking the dessert menu, possibly with something from the restaurant’s extensive list of amaros, once we’d finished our bottle of red. Our minds were concentrated wonderfully by our server telling us we had less than twenty-five minutes before they needed the table, so we were forced to accelerate matters.

The dessert menu is skeletal, with just three options. Zoë’s choice, a chocolate choux bun filled with chocolate cremoso, tasted very nice indeed but I was delighted I hadn’t ordered it because I’m not sure I could have pretended to you that I could taste the “whey caramel” it apparently contained, or even for that matter tell you what whey caramel tastes like.

I’m also delighted I didn’t order it because the dish I did order, pistachio cake, was one of the finest desserts I’ve ever had. There was an awful lot going on here, all of it good on its own yet better together. The cake, which could so easily have been stodgy or unremarkable, had a beautifully dense texture with flashes of salt and pistachio in every spoonful. The ribbons of candied, pickled fennel on top added a fragrant sweetness that never overpowered: I’d have liked more of them, but fennel always has that effect on me. And the preturnaturally smooth pistachio ice cream was as good as anything I’ve had in Italy – or for that matter at Clay’s, who do a mean pistachio ice cream these days. Resting the sphere on a handful of salted, roasted pistachios, though, was an inspired touch.

Zoë had a spoonful, and her reaction was immediate: “you win”. If we’d had our table for longer, I think she’d have ordered one as a second dessert. It’s rare for me to rave about dessert, rarer still to do it about a dessert with no chocolate in it, but I’ve thought about this every day since my lunch at Manteca, wondering quite how they elevated something seemingly so everyday to a dessert so extraordinary.

As we were tight for time, there was no digestif. But there was still room for one last delight, so along with the bill we asked for a couple of pieces of beef fat fudge to send us on our way. I’m not always sure about beef fat in desserts – I still remember a beef fat caramel I had at an otherwise excellent restaurant in Cardiff for which no word other than “minging” will do – but this lent a certain glossiness while omitting the overtly bovine notes. It was one pound fifty for a generous cube, deftly sprinkled with salt, and it took all my strength not to ask them to make me up a box. I wasn’t hungry any more, but I knew I would be later. Or rather, I wouldn’t be hungry but I’d have made enough room for more of that fudge. Another time, perhaps.

Our bill for all that food, a couple of aperitifs and that gorgeous bottle of red – which I liked so much that before the end of the meal I’d tracked it down and ordered a few bottles online – came to just over two hundred and fifteen pounds, including service charge. You could eat there for less, and have less fun, but honestly, when you have a meal this good it costs what it costs, and you don’t give a shit. We emerged blinking into the Shoreditch sunshine, and made a beeline for the Mikkeller bar for a beer and a post match debrief. Our ratings are usually a gnat’s crotchet apart, but for this one they were identical.

You can see that rating just a few paragraphs below, but what’s more important is to talk about just how good Manteca was. Because the truth is, back when I used to eat in London more often – but wasn’t reviewing those restaurants – they never quite lived up to my expectations. To the point where I worried that I was becoming semi-professionally underwhelmed. So I did the likes of St John or Quo Vadis, the places everybody likes, and I wondered what I was missing.

I sometimes think that London has to survive on a bubble of hype because if it wasn’t for that, people would wonder why they’re paying such unsustainable amounts of money to live and work there. And indeed my two recent visits to highly rated London restaurants, Casa do Frango and Chick ‘N’ Sours, left me equally ambivalent. So I can’t tell you how happy I was to eat somewhere that not only justified the hype but made me want to add to it, to lend my voice to the chorus of voices shouting about how special Manteca is. Though hopefully you’ve been reading my blog long enough to know that I don’t really do hype. I’m just as likely to walk away from somewhere critically acclaimed feeling nonplussed as I am delirious with joy, if not more so.

So there you have it: Manteca served up one of my favourite lunches of the last ten years and is well and truly one restaurant ticked off my “places I must get to in London” list. Although it doesn’t make matters easier because now, when I try and work through the other restaurants on it, I’ll always be thinking, in the back of my mind, or I could just go back to Manteca. Anyway, hopefully you’ve read this and might add it to your own version of that list. I’m still kidding myself that everyone has one, because in my echo chamber they probably do.

Manteca – 9.0
49-51 Curtain Road, EC2A 3PT
020 71395172

https://www.mantecarestaurant.co.uk

Restaurant review: Chick ‘N’ Sours, Covent Garden

Chick ‘N’ Sours closed in May 2025. I’ve left the review up for posterity.

This week’s review came about for a fairly simple reason. Two weeks ago I went to London with my friend James, with an uncomplicated plan: to visit Casa do Frango in Piccadilly to see if it did the best piri piri chicken outside Portugal (regular readers may have already read that review). A couple of days before the big day, I got a text from him.

“Do you think we could do the holy trinity? Two chicken places with craft beer in between?”

I immediately knew where he was referring to. Could we? Should we? Was this Bacchanalian excess even by my standards?

“Are you suggesting… Chick ‘N’ Sours?”

“Yes. Two in a day.”

And so I made a dinner reservation a suitable interval from lunch, had a light meal the night before, skipped breakfast and wore my loosest garments on the train to Paddington. Two of London’s best-known chicken restaurants in a single day was a serious endeavour. As I was heading for Gare du Ding my phone pinged with a text from James: It’s Chicken Day. Praise be the Lord.

Chick ‘N’ Sours might be the capital’s most fêted fried chicken restaurant. Their first permanent premises were in Haggerston, on the edge of Dalston, and when Grace Dent, then at the Evening Standard, went in 2015 she raved about the place. The following year they set up shop in Covent Garden, just off Seven Dials, and the acclaim has been constant ever since; Marina O’Loughlin, then at the Guardian, visited the second branch in late 2016 and enthused in her inimitable manner.

Since then they have been universally praised to the rafters: even the FT and the stuffy old Telegraph rated the food there, the latter in a so this is what the kids are eating these days kind of way. By now it feels like every half-decent blogger under the sun has paid it a visit, along with a number who only aspire to that standard. So after a very enjoyable time at the Mikkeller Brewpub on Exmouth Market, sampling terrific al fresco beers and finally feeling like spring had sprung, James and I pulled up in an Uber to try it out. Better late than never.

Chick ‘N’ Sours is a basement restaurant, and like all the best basement restaurants it has a slightly illicit feel to it. It sits somewhere between speakeasy and dive bar – neither of which, by the way, is a pejorative term – with faux zinc tables and chairs that are a mixture of Fifties American diner and Fifties British classroom. Our table was next to four office bros who had clearly fallen into the pub straight from work and then fallen into the restaurant straight from the pub. They were making inroads into what looked like most of the menu; turned out not everybody works from home on a Friday after all.

The menu is a vegetarian’s worst nightmare. Most of it involves chicken in a starring role, with the exception of one small plate and a vegan burger made of goodness knows what: it’s not a menu that even pretends to make concessions. It’s also compact – just the three starters, four burgers, chicken on the bone and tenders. You can have wings if you want, and there are a handful of sides, but that’s very much your lot; one other option, a whole deep fried chicken, is available if you give them forty-eight hours’ notice, which we sadly didn’t.

The tendency to pepper a menu like this with puns or edgy references has fortunately passed Chick ‘N’ Sours by, in the main, although describing a condiment as “seaweed crack” did strike me as unnecessary – showing my age, probably – and I was curious about the “strange flavour sauce” that came with the bang bang cucumber, although not enough to order it. For a restaurant with this reputation in this part of Covent Garden, prices are reasonable – starters are around seven quid, burgers thirteen, sides about four. It was a menu full of bold flavours and gastronomic primary colours, and it made me excited about what was to come.

That’s the “chick”, so to speak. The “sours” element comes from the restaurant’s stripped-back drinks list, made up of a narrow selection of wine (one of each, if you catch my drift), a couple of beers and the four sour cocktails that give the restaurant the second half of its name. James went for a “Chick ‘N’ Club” – typing all these unnecessary apostrophes is starting to irk me, just so you know – a fruity gin and crème de mure concoction which he seemed to thoroughly enjoy.

I on the other hand chose something called the “Habanero Jungle Bird” with rum, Campari, lime vinegar and habanero in it. This, perhaps, is where the problems started to come in: I expected this to do a truly chaotic conga in my gob, that combination of hot and sour, so when it was muted I wondered what that might mean for the food we were about to eat.

The thing is, every review I’ve read of Chick ‘N’ Sours talks about how you get walloped by massive flavours from start to finish and emerge at the end sweating buckets, palate ravaged, desperate for more and feeling alive for the first time in years: or maybe it’s the “seaweed crack”, you never know. One review I read, and I’m not even paraphrasing, said “I know they do good fried chicken because I have really good tastebuds” (see? there are bloggers out there even more unbearable than me).

The high point of the meal, ironically of the whole day, was the first thing they put in front of us. Chicken toast – think sesame prawn toast but with chicken instead – was a really, really outstanding plate of food: clever, delicious and beautifully executed. Three hefty pieces of chicken toast, lacquered with a sauce they called “chilli tamarind caramel”, surely the best what3words of all time, and served with a simple sesame studded slaw.

Honestly, they could just call the restaurant Toast ‘N’ Sours, sling these out all day and I’d have liked the place considerably more. I wish we’d ordered one each, with one on the side for good luck. But in the wider context of the meal it felt like a breakout star in search of a spinoff, a Saul Goodman or a Frasier Crane. Nothing else we ate would approach those heights.

Take the Mexinese nachos, for example. I read up on these after the fact and everything I saw made me pine for a dish that, in truth, I feel I never had. They come, apparently, loaded with Szechuan chicken and bacon ragu, kimchee, chilli and cheese sauce in a sort of multi-continental mashup of epic proportions. The review in the Guardian talks about fermented chilli paste and a touch of anchovy, the FT talks about gochujang. With all that thrown haphazardly into the mix, the risk is that it would be a bit much, that you’d be asking them to show a bit of restraint. In reality it was a slightly forlorn plate of food, of nachos draped in thin mince and tasting of not enough.

Wings, “disco wings” according to the menu, were better. James liked them – and he’s more a wing aficionado than I am – whereas I thought they were okay. You had a choice of naked, kung pao or hot and we’d picked the latter. It was still what James likes to refer to as “white people hot”, but was plenty hot enough for me. The wings, properly tossed rather than sauced, were decent enough – and if I wasn’t wowed that’s probably because I’m the sort of heathen who never feels this kind of thing balances reward and effort as I’d like. “They would have benefited from not being breaded” was James’ comment, as part of our post match analysis. “A naked fried wing tossed in that sauce would have been much better.”

Mains arrived before we’d finished our starters, which at least gave us an excuse to abandon the nachos. I’d heard from a few people that the House Fry – drumstick and thigh on the bone with pickled watermelon – was the thing to order, but when James tried to he was told they didn’t have any.

Instead he went for my regular order in places like this, the tenders, and they were positively underwhelming. You got three of them, big flattened pieces of chicken, and having gazed lovingly at a fair few pictures of Chick ‘N’ Sours’ food online I can honestly say they’ve always looked more golden, more crinkle-edged, more alluring than this. These looked like they could have been bought from the chiller section of Marks or Waitrose and finished off in the oven, beige-blond boring things.

James concurred. “The coating wasn’t great – it lacked crunch, too soft. It needed another two minutes in the fryer” he told me. “They could have been seasoned better coming out of the fryer, too.” He dipped them in his gochujang mayo, but didn’t finish them. And James, like me, is not a man to leave fried chicken.

My burger, the K-Pop, also failed to shine. This was chicken thigh with, again, a riot of flavour shoved on it – gochujang mayo, sriracha sour cream and chilli vinegar. Again, it just sounded so good: I’m used to the heavenly combination of gochujang and sriracha from Gurt Wings’ outstanding Lost In Translation fried chicken, so I had high hopes.

How did this manage to taste of so little? And how had they managed, while achieving that, to also put so much gunk in there that the bun underneath soaked through, making it almost impossible to eat? Normally a restaurant needs to outgrow its two small branches, fall into bed with some venture capitalists and roll out all the way to Reading to be this middling: how had Chick ‘N’ Sours pulled it off without doing all that?

I feel like I’ve already said enough, but let’s dot the Is and cross the Ts of disappointment by talking about the remainder of the food.

For some reason they brought us an additional portion of chips, by way of apology. Initially I wasn’t sure what for, then I thought it might be because they didn’t have the house fry, but with hindsight I think it might have just been for the food in general. It’s interesting that Chick ‘N’ Sours’ menu makes much of their chips being cooked in beef dripping and yet they turned out to be fairly indifferent, while earlier that day Casa do Frango had made no bold claims about their fries and they were infinitely superior.

Oh, and we also had a pickled watermelon salad. Ever wondered what pickled watermelon tastes like? Me too, and I’m still wondering: this just tasted of watermelon.

You get the general jist by now. I spent a little time looking at the other tables – the place was doing a roaring trade – and wondering what I was missing; I’ve rarely felt so much of the emperor’s new clothes about a restaurant as I did that night in Covent Garden. And that’s not to say it was an awful meal, but it was an ordinary one. Service was pleasant, if brisk, and the one thing I can say is that, especially for that part of London, it was affordable: all those starters, sides and mains and a couple of cocktails each came to a hundred and six pounds, including service.

This has to be one of the weirdest summaries I’ve ever had to write, of a place I’ve wanted to visit for something like five years, of a place which in theory serves some of my favourite food and which everyone, and I mean everyone, loves. The only logical conclusion, really, is that I’m wrong and that if fried chicken is your thing and you find yourself in the centre of London this is the place to head for. Everybody else says so. It’s me: I’m wrong, and I don’t know why I’m so out of step.

It could be expectation – that I thought the place would be incredible and so, when it was merely quite good, I felt like the sky had fallen in. But I don’t know if it’s even that; I guess my expectations were that it would be even better than Eat The Bird, which I encountered and loved on a recent visit to Exeter. But in reality it didn’t come close to their food, and if you asked me which one I’d want to open a branch on my doorstep it would be Eat The Bird every time.

All that makes this review especially frustrating, of somewhere I hoped to love, wanted to love, expected to love but just didn’t. A so-so review of somewhere in London you were probably never going to visit anyway. That’s the thing about these reviews outside Reading – when they’re a belter they’re fun to write, hopefully fun to read, and everybody wins. But when they’re mediocre, the so what factor is sadly lacking. So I must apologise: hopefully better, and more local, restaurants lie in both our futures.

Or maybe I just have really shit tastebuds. It’s a distinct possibility.

Chick ‘N’ Sours – 6.8
1A Earlham Street, Covent Garden, London WC2H 9LL
020 31984814

https://www.chicknsours.co.uk